Recently on vacation in Idaho, we drove up to visit my brother Jack and sister-in-law Shirley in McCall, where they (lucky them!) had rented a cabin on the lake for the summer. Here are Jack and Shirley on their deck at the cabin.
I have always really enjoyed talking to them, ever since I was 12 or so, and they did me the great kindness of talking to me seriously like I was on my way to being an interesting human being. I craved that more than I can express, as I suspect do many 12-year-olds out there.
Here is the view from their cabin deck. Nice. Sandy said it was like Finland, but with mountains, which is a real compliment, since she thinks Finland has gorgeous lakes and summers.
On the way back down to Boise, we stopped for dinner in a funky, former logging town named Horseshoe Bend. We had hear that Kit's Riverside Restaurant had great views, so we stopped in.
Here is the view from the backyard dining area, over the Payette River and up over the mountains beyond it.
Here is Kit's. It has great burgers, which I had -- a half pound burger loaded with sauteed mushrooms and remarkably good salads -- which Sandy had, with grilled Salmon. Not to mention steaks, which would have been a bit heavy since lunch had been meatloaf in a similar joint in McCall, called Lardo's -- I kid you not, that is its name. But then Lardo was the name of the town, before someone thought better of it.
It has a great sort of road house cafe ambience, which is the kind of word most of their clientele would probably not use.
In fact, you get a sense of most of Kit's regulars from this bumper sticker in the parking lot. Of course, Rolf tells me he has seen the very same bumper sticker in our neighborhood in Austin. Maybe we could import Kit's (and its view) to liven up the neighborhood a bit.
Tuesday, August 18, 2009
Fine dining in Horseshoe Bend
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Sunday, July 26, 2009
Mexico's National Museum of Anthropology
One of my favorite things about Mexico City is the Museo Nacional de Antropología, one of the world's most interesting museums. It has an incredible collection of statues, pottery, jewelry and large scale reproductions of pre-Colombian buildings from all over Mexico. It also takes a nicely serious but accessible stab at educating the museum-goer about the history of Mexico and its peoples. The pre-Colombian part is the most spectacular, but the whole second floor is devoted to the colonial and post-colonial cultures of the same peoples and places, showing both some considerable continuity of images and cultures, but mostly a great deal of hybridity between those older traditions and what the Spanish brought it. Fascinating stuff at both levels.
Here are some of my favorite items and images, from those I took there with my trusty iPhone camera. Unfortunately, I had forgotten my good camera, but the iPhone did pretty well. The first, above, is a very figurative statue of Mictlantecuhtli, the God of Death, from about 100 AD.
The second here is an image from a reproduction of an entire wall from the temple of Quetzalcóatl in Teotihuacan, just outside Mexico City, about 400 AD.
The third is a wall painting from Cacaxtla, about 800 AD.
The fourth, which made me think of my son, Christian, for some reason -- thinking that he would like its expression, is a Toltec statue of a jaguar, from Monte Alban, probably around 200 AD or so.
This doesn't even count all the Aztec and Mayan things that people are probably more familiar with.
Amazing times and places, but probably not ones I would want to live in. Very serious mixtures of warfare and religion that perpetuated warfare. Related to a very serious pre-occupation with death. But a lot of people also had time to create amazing art.
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Adios México
I spent last week in Mexico City at a conference of the International Association for Media and Communication Research. Of the various academic meetings (quite correctly seen by my wife Sandy as summer camps for grown up intellectuals--read David Lodge novels for very amusing takes on these) I go to, this is one of the more fun since it draws most heavily from Europe, then the US, then Asia, Latin America, and lots of other places. Very cosmopolitan. Found myself at the closing social dancing to mariachi music with Portuguese, Indians, Australians, Chileans, and a whole bunch of Mexican students who had been volunteers at the event.
Here is a representative picture from the opening social, at a former convent, turned mansion, turned art museum, built over a corner of the sacred central plaza of the Aztecs, which built over a lot of earlier folks. (The downtown of Mexico City near the Zocalo has more layers of history than anyplace in the Americas.)
Shown are two Portuguese professors I am doing research with, Cristina Ponte and José Azevedo, with a gigantic 20th century statue and party-goers below in the background.
One of the things I like about this particular organization is that they always pick interesting places to meet in and the organizers do their best to give you some flavor of the city and country. Sometimes one goes to meetings at the airport hotel in St. Louis. Not quite the same.
We were meeting in a building that was formerly the cultural center for the foreign ministry and now does the same for the National Autonomous University of Mexico, deliberately named to show its independence of both church and state. Nice building with nice rooms, but at a big meeting, you still end up sitting in auditoriums a lot, like the one shown here.
However, I was listening at the time to one of my favorite academic researchers in the world, a Mexican anthropologist named Nestor Garcia Canclini. He helped define a lot of how we think about how cultures met and hybridized together in Latin America, so hearing him is always interesting. I found it better to listen directly to him in Spanish because the English translation was awful-- reinforces my feeling that although many things eventually get into English, sort of, you get a much better understanding if you can read or listen to the originals.
It is always fun to be in a big city with a distinct local flair. Mexico City has modern cosmopolitan areas, our hotel was in one on Paseo de la Reforma. But what I like most about the city is its distinctive folklore. Here are two indicative images I saw. First the classic Mexican image of the fashionable lady as a skeleton, the calavera catrina, who reminds us that the glamorous and wealthy die. To reword a bumper sticker, I saw in Austin, the one who dies with the most toys, still dies.
Second is one that shows another of my favorite things about Mexico, its unbelievable ability, in high art, low graffiti and in between to borrow or take in things and hybridize them around. So here is the ubiquitous Bart Simpson as calavera Bart.
Que vive México!
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Wednesday, June 3, 2009
The Etruscans
We are in Chianciano Terme in Tuscany. I am giving several talks at a seminar on positioning the local (Chianciano) in the global world and (tourist) market. An old friend from the University of Florence, Professor Giovanni Bechelloni, is positioning or narrating the idea in an interesting way. He argues that this place builds on layers of the past, Etruscan, Roman, medieval and Renaissance that were in some ways already modern or which contribute major layers of the present modernity. (He doesn't really believe in the post-modern, although that would be another way of seeing how all these layers fit together, despite the likely insistence in each of them that they were more important than the preceding eras.
Frances Mayes, in Under the Tuscan Sun, says something similar. "In these stony old Tuscan towns, I get no sense of stepping back in time that I've had in Yugoslavia, Mexico or Peru. Tuscans are of this time; they simply have had the good instinct to bring the past along with them." (1996:153)
The Etruscan civilization lasted from around 800 B.C. to 200 B.C, increasingly chipped away and swallowed by Rome after about 300 B.C. They had a complex religious and cultural life, evident in their concern with burying their dead in careful ways. Their artistic life is visible in their tombs and burial urns, like this one with an interestingly stylized but recognizably modern face.
You can certainly see Etruscan faces literally walking on the street. Giovanni says a village named Murlo had had DNA comparisons done with Etruscan remains and found almost complete overlaps in DNA with some residents--in fact finding that the DNA also matched up with Lydia in Western Anatolia, indicating where the Etruscans themselves may have come from. (As have a few villages in England. An English schoolteacher was found to have pretty much the same DNA as a 9,000 year old stone age skeleton referred to as Cheddar Man.) This face from an Etruscan bust would not seem strange on the street.
This couple from the lid of an Etruscan funeral urn would not look that out of place at a dinner party, certainly not here, maybe not even in Texas, if you changed the hairstyles and clothes a bit.
The Etruscans seem to have had a very sophisticated nobility that in many cases fed straight into the noble houses of Roman or even later times. Here is a reconstruction of what a noble house dining room might have looked like, as reconstructed from archeological finds. They ate reclining, as did later Romans. They had long, leisurely dinners, which still seems to be the fashion, in Italy, home of the slow food movement.
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Sunday, May 17, 2009
Any Day Now
Sometimes music gets very intertwined with our memories of a certain time and place. And the friends you had then.
I wanted a nice quiet, tuneful album to grade essays to. So I came up with Any Day Now, a Joan Baez double LP from 1968, made up exclusively of Bob Dylan songs.
I have always loved her singing voice and Dylan's lyrics. And on the album, she has a low key but interesting back up band of Nashville session players, who went further into rock than she usually did, picking up the pace from some of Dylan's early songs, but slowing down some, like Sad-Eyed Lady of the Lowlands. That song brings up another interesting twist, that of listening to someone interpret songs that were sometimes about her. There have been lots of interpretations of Dylan, but some of these, like the versions of "Any Day Now," "Love is Just a Four Letter Word" and "One Too Many Mornings," are the best around, IMHO.
What surprised me, listening to these songs, for a very current purpose, grading graduate student papers, was how much they brought up a now distant seeming, but still curiously fresh past. I can close my eyes and see the dorm room where I first heard this album.
This was one of my favorite albums in the spring of 1971. I had just come back from two quarters of study abroad in Vienna, Austria. My girlfriend there, Debbie Maranville, had stayed on for another quarter. Some friends from there and from my freshman year were around, but it seemed like a very new time. After six months of trying to understand Austria in German and a startling three weeks of traveling in the USSR, it seemed odd to be back in California, doing all the normal student stuff, picking up a radio show at KZSU again, getting involved in the anti-war movement again as new demonstrations were picking up again against the Vietnam War, in what was beginning to seem like a regular seasonal riot against Vietnam policy.
I was living in a classy old dorm called Toyon. My room-mate was the wretchedly spoiled son of some elite landowner in Central America. (I have repressed his name.) So I went looking for friends elsewhere. One of the best was a woman from Washington, D.C. named Robin Spring. She introduced me to Any Day Now, which rapidly became the soundtrack for the whole quarter. It got me back into my quasi-idolatry of Dylan in a more ear-pleasing way.
Joan Baez herself appeared on campus several times that spring to sing and speak at rallies, appealing to people to burn their draft cards and resist the draft. I think I remember the scene in this photo, but I may be mistaken. This is pretty much what I remember it looking like, however.
I remember thinking that I liked her music a lot. David's Album had just come out, lionizing her then husband of that name, a former Standford student president, who had gone to jail for resisting the draft. However, I both admired and resented them, since I wasn't sure resisting the draft was worth the price to be paid, even though I opposed the war very deeply.
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Saturday, May 16, 2009
Prague 1970 and 2007
Sandy just put the following up on Facebook, which is a bit less permanent than a blog, which is easy to archive. So let's start with her observations and then I will add some of my own.
Sandy:
In 1970 Prague was a grimy and dismal place. A wall around the corner from our hotel was splattered with what looked like fresh blood. Stand-up bars served something that resembled whipped Pepto-Bismol. A postal worker informed us that we couldn't buy stamps to send letters to West Germany because no such place existed. Students identified us as East Germans and couldn't be convinced otherwise. The West really didn't exist for them. It was two years after the Prague Spring.
I asked my friend Steve to take a picture of me by a city well in the old town. I had assumed a thoughtful and properly depressed expression. He told a joke and then snapped the picture. I was highly irritated. Picture #1.
Joe: I was wearing longish frizzy hair and a second hand Russian greatcoat from a pawnshop in Vienna when I visited Prague. So nobody thought either I or my Stanford in Austria buddies were East German. They quickly accepted that we were American. (It is a compliment to Sandy's group that their German was good enough to be taken for German -- ours was definitely not.) But they were delighted to tell us how much they liked rock music and hated Russia, at least the USSR politicians who had ordered the Soviet Army to invade them..
The town was clearly socialist in a way I almost miss parts of. There were cheap cafeterias, priced for working class people that were also great for poor students, who had already spent way too much abroad. The students we met were intensely interested in politics. They thought the attraction some of us had for Marx was naive. When they heard that some of us were going on to visit the USSR, they were appalled -- why visit people who had just invaded them to put down the political opening or liberalization of Prague Spring in 1968 -- but they also grinned wisely and said things like, "Just wait until you see what 'really existing socialism' looks like." And they were dead right.
Sandy: The Prague I visited in 2007 was a decadent party town full of revelers from everywhere in the world. The Karluv Most bridge was full of musicians and bright lights at night. The old buildings downtown were the same, only with clean windows and charming little ice-cream and tea shops in every block. The well was still there, in the old town. We took a picture. It was okay to smile, this time. Picture # 2.
Joe: I was a little ambivalent about the change in Prague. People were no longer worried by being jailed over toxic politics. The city was much less drab and clearly very prosperous. But also much more globalized and westernized. They probably making a lot of money off the European and American partiers who had crowded to Prague for cheap, world famous beer. But the quaint little bookstores where we both (separately, obviously) bought classic books in German were long gone.
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Sunday, May 10, 2009
Mothers' Day
My wife Sandy, my partner of almost 32 years and the mother of three quite wonderful adult children is very ambivalent about Mothers' Day. She thinks it is too commercialized and also tends too much to put women and mothers on a sort of revered, but ghettoized pedestal. She is probably quite right about all of that.
But it is a day when it is hard not to reflect at least a little bit about our own mothers and the dear but complicated roles they usually have in our lives. Let me start with a list of words prompted by my own mother's memory (she died at 91 in 1996 after a several year long bout of dementia that resembled Alzheimers). And add a few photos.
So I think of my mother as:
loving - I always knew that my parents were pretty fond of each other, it seems like that became more the case as they got older -- here is a picture of them in their 20s in the 1920s, farmer and flapper
And I don't think I ever doubted that both she and my father loved me, that is quite a gift, the kind you can never fully repay
encouraging (this is her with me at a Boy Scout court of honor in about 1963, mothers always got pins representing the ranks we earned, reflecting this encouragement)
smart (she started Teachers College but quit to marry my Dad)
quiet but strong
quiet but probably a little depressed (after they moved off the farm into town, she had lost a lot of the role and critical economic importance she had had as a farm wife and mother)
a good reader and someone who encouraged me to read a lot
loyal to her family
patient with children, grandchildren, husband, and all
(here is another picture of my mother and father, after a long life together, after they had retired from farming, by their car on the street where they lived in Nampa, Idaho
very good cook
unbelievably good and prolific gardener (these are the flowers that lined the lane leading to our house alongside an enormous vegetable garden, which was mostly her job to take care of)
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